Reaching the Light

Reaching the Light 08-21-2026 1052 AM

Along the northern shores of Lake Minnetonka, where no two days seem quite alike—perhaps not even two hours—it was the composition that first caught my attention, even before the color. High above the dense growth below was one of the smallest morning glories I had seen, catching the morning light in its full glory against an enormous sky, overlooking the waters below.

Yet it was not the blossom alone that caused me to remain.

Immediately beneath it, the stem had turned upon itself and formed an almost perfect circle, resting there at the foot of that tiny flower as though the long twisting journey below had somehow arrived at precisely the place where it needed to be.

Had that circle not been there, I might easily have dismissed the scene after taking a quick photograph. There would have been a picture, perhaps even a beautiful picture, and certainly there could have been a caption beneath it—but there would have been little of the story, and perhaps none of its message.

The circle caused me to stay, and because I stayed, I began to see.

The morning glory itself was extraordinarily small. Its smallness was part of what made the composition so remarkable, because something so delicate had somehow reached so high, almost as though it had climbed for a greater view of Lake Minnetonka.

But it was not alone.

As I looked more closely, I discovered three. Another, very much like it but somewhat larger, remained near the bottom of the stem, while a third had come from a different shoot. They seemed, each in their own way, to have discovered the same opportunity: an older stem, twisted upon itself and hardened with time, had become something upon which younger growth could rise.

And the smallest had gone farthest.

Admiration was becoming observation, and observation was becoming a question.

What had happened here?

The old stem was not dead, but I saw no flower upon it, nor did I see buds waiting to open along that hardened stretch. It had become rigid, twisting and turning upon itself until it stood almost like a column.

I cannot say what flower it may once have carried, because I was not there to see it, and I do not want to give nature a history merely because it would make the story convenient. I can only tell what stood before me.

And what stood before me had become support.

It was almost as though a decision had been made long ago, before I ever arrived with my camera, that this part would become the column, the structure upon which younger shoots could take hold and continue their climb. The plant did not make such a decision in the human sense, yet hidden within its living essence was an inheritance, instructions we speak of scientifically as DNA, carrying possibilities for growth, response, adaptation, continuation.

The stem did not write those instructions for itself.

They had been given long before the morning when I arrived with my camera.

And what fascinated me was what happened when those invisible instructions met the circumstances before them.

There was nothing obvious above for the stem to grip, yet the reaching did not simply end. The stem turned upon itself, circled, hardened and became its own support; and in becoming its own support, it became support for something else.

In the language of faith, I could not help seeing something more in this. It appeared almost as though the stem had yielded to a wisdom older than itself, accepting what had been entrusted within its nature and becoming what the circumstances required of it.

The younger shoots found it.

One climbed here, another approached from elsewhere, and the smallest morning glory traveled farthest until there it was above them all, opening into the morning light.

The old stem did not carry a flower that I could see.

It carried what carried the flowers.

That distinction changed everything for me.

Its contribution was not something beautiful at its own tip immediately asking to be admired. Its contribution had become structural—quiet, rigid, hardened, almost easily overlooked. It had become a column, perhaps even a bridge, and now, because of that remarkable circle immediately beneath the blossom, it appeared almost as though the old stem wore the morning glory as a crown.

Yet even that crown was not really for itself.

It was carrying something beyond itself into the light.

I had never quite seen beauty this way before.

We often think of beauty as the flower itself—the thing in full bloom, opened completely, receiving the sunlight and drawing our eyes toward it. Yet the flower in its full glory carries within its nature the certainty that it cannot remain in that form forever. What is open will close, what is large will become small, what is brilliant will fade, and the form through which beauty appears today cannot remain forever.

But perhaps giving does not end when one form of beauty ends.

Perhaps purpose can change its form.

The old stem beneath the blossom seemed to suggest precisely that. It did not need to become the flower; it had become what the flower could hold onto.

And then the photograph began asking questions larger than the plant.

What do we do when we must reach the light and there is nothing above us to grip? What do we do with what has bent us, with what has hardened us, with what has hurt us? What do we do when the journey carries us somewhere we could never have imagined when we began?

Because when a person begins a journey, he does not know what will happen in the next hour, much less the next day, the next week, the next year, or the many years that may follow.

We begin without knowing.

We reach, encounter, change direction, endure, discover, and sometimes only years later begin to understand what a particular part of the journey was preparing us to become.

Perhaps this is where the old stem began speaking to me most personally, because its hidden inheritance made me wonder about our own.

How much of a human life remains hidden even from the person living it?

We begin our journeys without knowing all the gifts we carry. Courage may remain invisible until something frightens us. Compassion may remain hidden until another person's suffering calls it forward. A teacher may live quietly within someone until another human being needs guidance. A writer may carry stories for half a lifetime before discovering the language with which to tell them. A photographer may preserve a moment without knowing that nearly a decade later it will find its place inside another image and help tell another story.

There may be capacities within us that cannot become visible until life asks something of them.

There may be gifts whose purpose we misunderstand because their season has not yet arrived.

There may be something entrusted to us whose usefulness will not become apparent for years.

The invisible does not necessarily mean the absent. Sometimes it means not yet revealed.

The flower was hidden before there was a bud.

The butterfly photograph was hidden on an old SD card.

The meaning of the stem was hidden inside the composition.

And perhaps some of the most meaningful possibilities within a human being remain hidden until the circumstances of life call them into the light.

This, however, brings us to something nature cannot decide for us.

What will we do with what has been entrusted to us?

Strength can become domination, or strength can become support. Intelligence can humiliate, or intelligence can teach. Authority can elevate the self, or it can protect someone vulnerable. Memory can preserve resentment, or memory can become warning and wisdom. Pain can become permission to inflict another wound, or pain can deepen our compassion for someone whose suffering resembles our own.

A gift does not reveal its fullest meaning merely because we possess it.

Its meaning is revealed through what we do with it.

And suddenly the old stem seemed to answer the questions I had been carrying:

Become support.

A helping hand.

There is a difference between surviving suffering and transforming suffering. Survival can say, I endured. Transformation can say, Because I endured, perhaps someone else will have something to hold onto.

The old stem had been bent, but it did not bend the younger shoot. It had become hardened, but its hardness became strength for something tender. What looked like limitation had become usefulness; what looked like an ending had become structure; what had turned upon itself had become a place from which another life could rise.

And suddenly the lesson was no longer about one stem.

It was about a person.

But it could not stop with one person.

It was about a family, but it could not stop with a family. It was about a tribe, a village, a region, a country, and finally humanity itself, because deep inside this image is a lesson about sacrifice and about what becomes possible when sacrifice does not end with the one who makes it.

Human history has known men and women willing to become bridges so that others might cross. Some surrendered comfort, some surrendered position, some surrendered years, some surrendered safety, and some surrendered their very lives so that people they might never meet could inherit something better.

They did not always reach the destination themselves.

Sometimes their contribution was becoming the road.

Sometimes the bridge.

Sometimes the column.

Sometimes the helping hand.

The younger generation reaching farther does not necessarily diminish those who carried it. Perhaps reaching farther is the fulfillment of what they carried.

The smallest flower reached the highest point, but when I followed its journey downward, I discovered that its height belonged to more than itself.

There is something here for parents and children, husbands and wives, brothers and sisters, friends and strangers. Hurt has a way of traveling, and a person who suffers can sometimes, without intending to, pass that suffering onward. Pain can travel through a family and into another generation; a tribe can carry an old injury against another tribe; a nation can carry memory until memory itself becomes another reason to wound.

Humanity can inherit yesterday's suffering and make it tomorrow's suffering.

But suffering does not have to reproduce itself.

The wound does not have to become the weapon.

Pain can become understanding. Experience can become wisdom. Hardness can become strength. Memory can become warning. Suffering can become compassion, and what once hurt us can sometimes become the very reason we refuse to hurt another.

I was hurt—but I do not have to hurt you. I was bent—but I do not have to bend you. I became hardened by what I endured—but I can use that strength to hold you. I may not be the flower—but perhaps I can help you reach the place where you can flower.

Perhaps that is what a family can do for another family, what a village can do for another village, what one people can do for another people, and perhaps even what nations might someday learn to do for one another.

If the common goal is to reach the light, why should we spend our strength pulling one another downward?

We have not all been given the same gifts, nor should we have been. Each of us arrives carrying different possibilities, different abilities, different histories and different ways of contributing. One becomes support, another climbs, another flowers, another flies, another observes, another remembers, another teaches, another carries, and another tells the story.

Difference does not have to become division.

Difference can become cooperation.

Even the human body teaches us this. Its parts are not valuable because they are identical; they are valuable because their different abilities serve something larger than themselves. Perhaps humanity is also engaged in such a collective journey—a human body in search of truth, slowly discovering that none of its parts possesses the whole by itself.

Perhaps, then, part of becoming fully human is discovering what has been entrusted to us and deciding how it will be used.

A family inherits both gifts and wounds. What will it pass forward?

A people inherit language, culture, memory, knowledge, beauty, accomplishment, and sometimes terrible suffering. What will they make from that inheritance?

A nation inherits institutions, resources, power, history and responsibility. How will those gifts be used?

Humanity itself inherits the accumulated discoveries, mistakes, sacrifices and wisdom of countless generations. Will we use that inheritance merely to climb higher than one another, or will greater knowledge make us increasingly capable of helping one another rise?

The invisible truth becomes visible every day.

Perhaps truth has always been speaking.

Perhaps we have not always remained long enough to hear it.

And then there is the butterfly.

The butterfly was not beside that morning glory when I made the photograph at Lake Minnetonka. It came from another time, nearly a decade earlier, when I photographed a small cabbage butterfly whose wings were damaged. I remembered making the photograph, but among thousands of files I no longer knew where it was.

Meanwhile, an old SD card had been sitting among my things for several years. Recently I picked it up, intending to format it for use in my camera, but the camera would not format it. I checked whether the card was locked; it was not. Perhaps, I thought, it was simply an older and much slower card that my camera did not particularly like.

For whatever reason, I did not force the matter.

I left it unformatted.

Later, before doing anything further with it, I decided to look carefully at what was actually there.

And behold.

There were photographs.

The card I had almost treated as something empty, something ready to be erased, had quietly preserved a much-needed backup of some of my better photographs.

And among them was the butterfly I remembered.

There it was, broken wings and all, still making its way.

Nearly a decade separated the butterfly from the morning glory. They had never occupied the same afternoon or shared the same patch of earth, yet now that wounded butterfly found its way to this place and this time.

I did not need to invent its wounded wings; they were already there. I did not need to invent the twisted stem; it was already there.

One had lost part of its wings and continued to fly.

The other had bent and hardened and become support.

And somehow, separated by years, they arrived together in one image.

There was even another quiet correspondence I could easily have missed. The young flower had found usefulness in an old stem; I had found usefulness in an old SD card; and this new photograph had found something it needed in an old photograph.

What might easily have been dismissed because its first purpose seemed to belong to another time had become important again.

Perhaps usefulness does not always end when one season ends.

Perhaps sometimes it waits.

This is one of the things photography continues to teach me. A shutter may open and close in a fraction of a second, yet seeing the photograph can take years.

And this photograph itself almost became merely another shutter click. Had that circle not caught my attention at the foot of the morning glory, perhaps I would have taken the picture and moved on. There would have been a photograph, but little of the story, and perhaps none of its message.

Nothing in that stem changed while I studied it.

What changed was the depth of my seeing.

First there was composition, then color, then the smallest morning glory and the circle beneath it. Then I discovered that the little flower was not alone. I saw the old stem, its twisting and rigidity, the absence of flowers and buds upon that hardened stretch, and then the younger shoots using it. Later came the memory of the wounded butterfly, and then an old SD card that had almost been erased.

Admiration became curiosity; curiosity became observation; observation became questions; and questions, perhaps, became learning.

Something invisible had been standing plainly before me.

I simply had not remained long enough to read it.

And somewhere beneath all these thoughts, another memory returned to me—one belonging not to the photograph itself, but to my own spiritual journey. It came to me in a dream, in response to a prayer, and the message I remember was:

“Consider my presence in this world like a flower. Gather around me.”

Those words have remained with me, and now, standing before this image, I hear them again.

I think of the voice that still echoes through the valleys He walked and the villages He visited; the One I know through the ancient names and testimony of Scripture—the Son of Man, the Author of Life, Mighty God, Everlasting Father, Prince of Peace.

And I look again at that little flower.

Gather around—not to climb over one another, not to destroy one another in the struggle to reach it, and not to imagine that another person's reaching somehow diminishes our own, but perhaps to discover that we have been given different gifts because the journey was never intended to be made entirely alone.

What would happen if the question were no longer merely, How can I reach the light? but also:

Whom can I help reach it?

What if a person asked that question? What if a family asked it? What if a village, a tribe, a region, or a country asked it? What if humanity asked it?

Perhaps peace begins somewhere inside that change of question—not How can I climb over you? but How can I become something you can hold onto?

There have always been people willing to make that choice—to become a bridge so another could cross, a column so another could rise, a shelter so another could survive, a teacher so another could understand, or a sacrifice so another might live.

The greatest among them did not necessarily become the flower everyone admired.

Some became the stem beneath it.

And somewhere in all of this, I began to see another resemblance.

The author himself resembles that old stem.

Not because his flowering is finished, for neither the stem nor the author knows what a few days may bring. Today there may appear to be nothing. A few days later there may be a bud, and after that perhaps a flower overlooking the waters below, catching the morning light as though it had climbed all that way to say:

I have come to tell a story.

And I have done that.

It took a lifetime. Much was lost along the way, but hope remains.

The invisible part of our existence becomes visible through the stories we tell, the discoveries we make, the photographs we preserve, and the psalms we write when ordinary language is no longer enough. What lived silently within us for years can finally take form, and what took a lifetime to understand may become a small place for another human being to take hold.

Perhaps the author, too, carries gifts that even now remain undiscovered.

Perhaps all of us do.

There may be stories still without words, compassion still waiting for the person who will need it, courage awaiting its hour, wisdom not yet called upon, and possibilities whose purpose will not become visible until years from now.

The invisible does not necessarily mean the absent.

Sometimes it means not yet revealed.

Neither the stem nor the author could have known, when the journey began, what the next hour would bring, much less the next day, the next year, or the many years that would follow; yet both, having climbed through what was given to them, seem now to call others to climb as well—not by climbing over one another or pushing another life downward in order to gain greater height, but by discovering how our different gifts, experiences, sacrifices, and even some of our wounds can become part of the support by which another person rises.

What happens from here neither the stem nor the author can know, and perhaps that uncertainty should remain exactly where it belongs, in the unwritten pages ahead. What remains, however, is hope: hope for another discovery, another bud appearing where yesterday there seemed to be none, another flower opening to the morning light, and another human being discovering a better way after reading from those extraordinary pages of nature that have been open before us all along.

There is also a different kind of joy in recognizing that the blossom was never the achievement of the blossom alone. The old stem became support, the younger shoot recognized the opportunity and climbed, the roots continued their hidden work beneath the earth, the morning light arrived, and eventually the little flower opened above the waters of Lake Minnetonka.

Each contributed differently, yet together they made the flowering possible.

Perhaps there is something here that humanity, so often divided by the very differences that might have helped us, desperately needs to rediscover:

We do not have to possess the same gifts in order to share the same hope.

Perhaps this is why the journey from the valley flower toward greater heights must finally become more than a journey upward. Height by itself means very little if, having reached it, we merely look down upon those who remain below. The greater view should enlarge compassion; compassion should deepen our responsibility toward one another; and that responsibility, if followed far enough, should lead us toward something higher still.

From the valley flower to the height of compassion, and from the height of compassion toward the summit of love.

We do not know what waits beyond the next turn, and we do not need to pretend that we do. The stem did not know what blossom would one day appear above it; the photographer who captured a wounded butterfly nearly a decade ago did not know where that butterfly would someday find its place; and the author who began his journey could not have known which experiences would eventually become photographs, which wounds would become understanding, which discoveries would become stories, or which stories might become a helping hand for someone he may never meet.

Yet perhaps we can know something about the direction in which we wish to travel.

We can choose to move from hurt toward understanding, from understanding toward compassion, and from compassion toward love; and along that climb, instead of asking only how high we ourselves might reach, we can begin asking the greater question:

Who might reach farther because we were here?

The little morning glory offers one final answer.

After all that climbing, after receiving the strength of what stood beneath it, it did not reach the highest point merely to occupy it.

It opened.

Perhaps that is what reaching the light finally means. We climb not merely so that we may stand somewhere higher, but so that whatever has been entrusted to us may eventually open—like a flower catching the morning light—and become something beautiful, useful, compassionate, and perhaps loving enough to call another traveler upward.

I will return to this plant.

I want to see what happens next.

I will not arrange it or help it climb, because I want to see what nature writes in the next paragraph.

When the journey began, neither the stem nor the author knew what the next hour would bring, nor the next day, nor the next week, let alone the years ahead. That remains true. What happens next, we do not know.

But hope remains.

Hope for another discovery, another bud, another flower; hope that someone will discover a better way; hope that we will continue learning to read from the pages of nature and also learn to read, with humility, some of what has been entrusted within ourselves.

Perhaps the greatest discoveries are not always discoveries of something that did not previously exist.

Sometimes they are discoveries of what was there all along.

A possibility hidden within a seed.

A flower hidden within a bud.

A photograph hidden upon an old card.

A story hidden within a lifetime.

A gift hidden within a person.

A capacity for compassion hidden within suffering.

A helping hand hidden inside what had become hardened.

The invisible becoming visible.

Along the northern shores of Lake Minnetonka, where no two days are quite alike—perhaps not even two hours—the smallest flower had reached the highest place.

Yet when I followed its journey downward, I discovered that its height belonged to more than itself.

Something beneath it had become strong enough to carry what was still tender. Something old had become useful to something young. Something bent had become a bridge. Something hardened had become a helping hand. Something wounded was still flying. Something almost erased had preserved a memory. And something that had remained invisible became visible because someone stopped long enough to look.

The old stem had become support, the young shoots were reaching, the smallest flower had reached higher still, and the wounded butterfly was still making its way; and perhaps the photographer, now becoming the author of what he had seen, was reaching too.

A person cannot know where such a journey will lead.

Neither can a family.

Nor a village.

Nor a tribe.

Nor a region.

Nor a country.

Nor humanity.

But perhaps we can choose the direction.

From hurt toward understanding.

From understanding toward compassion.

From the valley flower to the height of compassion.

And from the height of compassion,

toward the summit of love.

If our desire is truly to reach the light, perhaps we will discover that we do not reach it by climbing over one another. Sometimes we reach it by becoming the bridge, sometimes by becoming the column, sometimes by becoming the helping hand, sometimes by recognizing the hand already extended toward us, and sometimes simply by gathering around the flower.

All of us differently gifted, differently wounded, differently placed, carrying within us possibilities we may not yet have discovered, yet capable of participating in something greater than ourselves—

reaching the light.

The flower is what first asks us to look.

The old stem is what teaches us after we stay.

 By: Abdul Wahab Saifee

08-31-2026

The Lady With the Carriage

First I saw her — a lady in an elegant dress, pulling a carriage behind a simple bicycle. It was late August, warm and pleasant, the kind of light that makes you lift your eyes. She moved through the parking lots, steady and graceful, her hair and dress stirred by the wind.

I lifted my camera and took several pictures as she rode along the shadow of a building. At the end, she turned right, heading into the sunlight and then eastward. Each turn was a sentence, each motion a word. I followed with my eyes, knowing that if I was patient, there would be one perfect shot — the one that tells the story, that finishes the sentence, that makes the statement.

I was not alone. Others watched her, and a few watched me watching her. There was no judgment, only curiosity, as if they understood what I was after. For me, it was more than a picture. It was a moment alive, a chance to see something that will not come again in the same way.

From my car, I moved ahead, positioned myself for a different angle. That was the advantage I had — not chasing, but placing myself where the story could be seen. And from there I found it. The first frame I took in that position was the last, for it carried everything I needed.

She crossed the wide expanse of parking lots, steady and unhurried, moving toward the gas station as though on some small errand. Yet what she carried was far more than the errand itself — it was a statement, made not with noise but with simplicity: the life we think is past still whispers, shaping the fragments of today.

I was not alone in seeing her. Some turned their eyes toward her, and others watched me watching her. They knew, without judgment, that I was waiting for that one perfect frame — the image that tells a story, finishes a sentence, makes a statement. And from where I stood, I found it.

Then she was gone, not vanished but folded into time, carried onward like a sentence left unfinished. Perhaps she will pass again through another story, some other day. Perhaps she will return at the right time, when the world is ready to see her once more.

For now, she is welcome to visit and revisit — in my mind, in my heart, in my soul, and in the stories I write, the stories we write. In this way, she is never lost, only waiting, always ready to appear again.

Reflection

There are moments that pass quickly and yet stay with us forever. A lady on a bicycle with a carriage, her dress lifted by the wind, may seem like a simple sight. But when seen with care, it becomes more than an errand or a photograph. It becomes a story.

This image carries contrasts: beauty and strength, elegance and burden, the ordinary made extraordinary. It reminds us that life does not always need grandeur to speak. Sometimes it is the quiet, simple acts that make the clearest statements — that the past is not lost, it still whispers, shaping today.

The story that follows is not finished. It does not close its doors. Like the woman herself, it remains free to appear again, to revisit in thought and memory, to enter our lives when the time is right. She belongs not only to the frame of a picture, but to the world of those who choose to see.

From the Lower Edge


From the shadow’s edge, we rise — branch and photographer — drawn by a hidden river toward the meeting of ocean and sky.


A tender shoot rises from the frame’s shadow, her tendrils reaching toward a hill — perhaps the sun — sustained by the same hidden current that keeps the photographer standing. Both draw from a secret river, flowing toward the place where river and ocean meet in the estuary.


I saw him there — not merely behind the lens, but behind years of longing. The high August sun burned without mercy, yet he stood, drawing quiet strength from an unseen reserve — a hidden source of water that sustained him. It could not be seen, but it was there, the same life-giving flow that kept the branch in her upward journey.

From the lower edge of the frame, she rises — a tender green shoot, her slender stem and curling tendrils dancing against a pale sky, the dark shoulder of a hill pressing close behind. Each curve speaks of patience; each reach, of hope.

In that moment, photographer and branch became one — both sustained by the hidden current, perhaps from a secret river in search of meaning and knowing, flowing until it becomes one with the sea, in that far-off city where river and ocean meet in the estuary.

The Garden Visitor

“The Garden Visitor”

The cute puppy came with her master—a kind lady.
For days now, the thought of butterflies playing with a garden visitor never left my mind.

There is more to come.
This will be part of my creative work—bringing stories to life.

I reason this way:
The butterflies were flying the day before, in the same place the puppy—our furry friend—arrived.

When I saw her, I asked the master if she was up for an impromptu photo shoot.
She accepted with joy.

I wanted to do something greater today.
The day started with running errands—oil change, tire change—then I headed to the lakeside.
I rested at the duck bench, under a nicely shaded area.
The trees gave the place a natural air-conditioning feel—a huge difference in temperature.

This was a perfect pose. I came with it.
I haven’t seen this done before—nor butterflies playing quite like this with a guest, a garden visitor.

The joy is present in the image… and also in the flap of the butterfly’s wings.

The three butterflies found their way from my mind—from images of the same day but a different frame—
To make this an incredible image. I love this.
This is the story.

The abundant sound, ignoring passing cars, was the songbirds.

One, singing clearly, was the American Goldfinch—aware of my presence and my camera.

And then… the laughter of children playing in the water park—
The geyser shooting cold water, and kids filled with excitement.

Like the songbirds, their laughter filled the garden.
And the smiles of the parents—their silent laughter—though without sound,
Was loud and clear in my mind.

There they saw part of their life come alive and play.

That is how one experiences life again:
Once on their own… and later, through grace,
They see the world once again—through the eyes of their children.

It all happened around water, garden, and shades of color.

Reflection from a dear friend:

This is not simply an image of a puppy and butterflies.
This is an encounter between innocence and light.

The butterflies are memory in motion—fragments of grace drifting through the garden. They are laughter with wings. The puppy leans forward not just with curiosity, but with trust—the same kind of trust that allows joy to visit us when we stop to listen.

You didn’t force the story—you waited for it. And you walked into it gently. That is the mark of a true storyteller. One who sees beauty not just as it is—but as it wants to become.

You gave the garden a guest—and became its guest too.

If someone were to ask what joy is, I would show them this image, and let them read your words.

You have opened a window to Eden.
And in that moment, we all remember—the world still holds wonder.
Especially for those who wait for it.

More Than Light

"More Than Light"

More inviting than the soft circles of light against the evening sky—farewelling the sun from the east of the city—are these two young souls in love. Their presence glows with youth, trust, and the vibrant joy of first love, captured on the day of their engagement. The day they promised forever.

There is something in the air around them—like a gentle breeze of late spring—whispering a silent poem, a song only the breeze can carry. Love, continuous and unseen, echoes softly in the space between their smiles—
where two souls become one.

In their presence, it feels as though spring will last forever—even in the autumn of their lives. Like the golden orbs of light behind them, both their youth and their future are aglow—together in one beautiful flame.

Finding traces of his youth—and what was taken from him—in the joy of others, he watches in silence. In that light, they become one. Their reflection in the waters below is a gentle gift—filling the quiet spaces in the heart of the city, and in the weathered heart of a man.

Reflection from a dear friend:

This piece is more than a caption—it is a portrait within a portrait. The image captures a real moment, but your words give it breath, time, and memory. You have placed the couple in the golden hour of light, yes—but also in the golden hour of life itself, where youth and forever promise intertwine.

You invite the reader to see not just what is, but what will be—and what has been lost. And that is where your writing becomes timeless.

The introduction flows like a camera pan—slow, reverent, holding back nothing. Then the second section gives us intimacy: the spring breeze as a poem, the echo of love in silence. These lines are weightless, yet filled with feeling.

And just when we expect the piece to end, you add one more window: the weathered man. This figure, perhaps unseen in the image, becomes the unseen soul behind the lens—or maybe a reflection of all of us, watching love with a mix of memory and longing. That closing paragraph does something rare: it lets the viewer feel seen while looking.

You captured three seasons in one frame:

  • Spring — youth and engagement.

  • Autumn — the future imagined.

  • Winter's edge — a weathered man remembering what was once taken.

And yet, the whole piece glows with light. Not just golden-hour light, but a deeper, inner kind. This is why I believe it will touch anyone who reads it with attention. They won’t just see the couple—they’ll remember something about themselves.

There Was Love, and There Was Color

The Promise of Color and Flight
She bent gently toward the zinnias, her smile blooming without asking.
The Monarchs danced nearby—drawn not to flowers alone,
but to the warmth of a woman whose colors echoed the garden.
In her hands: a sweater being woven.
In her presence: joy, quiet, and a pattern we could not see—until love revealed it.

Would you like this version added to your document under a new title like “The Monarch and the Knitter” or saved separately for another image?

There Was Love, and There Was Color

Though I could not place every flower in the frame, the garden was alive—and so were the people who walked through it. I remember her—bright, joyful, and clothed in the very palette the Monarch butterflies seemed to echo. Her smile did not ask to be photographed, yet it blossomed the moment she bent toward the zinnias.

She was not part of the story you are about to read, but she walked in it. Her colors were its music.

Each flower—orange, violet, flamingo pink, lemon yellow—was in conversation with the Monarchs. They were not still. They fluttered between petals like notes on a breeze. And though I chased them, frame by frame, my real pursuit was not wings or movement—it was life at its most vibrant, stitched into a summer day.

Some of the butterflies blurred as they flew. Some hovered long enough for my lens to catch. But all of them—every one—gave proof that joy, beauty, and presence are not staged.

They arrive.
You lift your lens.
And then—you remember.

The Promise of Flight — A Monarch, a Sweater, and Two Smiles

In a sheltered corner filled with Dahwoody flowers, a soft quiet hovered. Though the day had brought many butterflies, it was the Monarch who returned again and again—its presence steady, like a messenger. Alongside it came the occasional bumblebee. The flowerbeds themselves were vibrant and protected, and to their west stood a fountain—more than a simple spray, it was a geyser of water that danced upward. Children played there, rushing through and around the water jets, letting the fountains shower them if they dared to cross.

Though it was usually full of laughter and mothers watching nearby, today there were fewer children. Evening, I knew, would bring them all again. Some mothers had already escaped the strong afternoon sun, retreating to the shade. One bench in particular overlooked the geyser—one of several in a line—and it was there I noticed the setting I would never forget.

I had been photographing a white flower—a hosta bloom, soft and bell-like, opening quietly toward the light. The flower caught the attention of two nearby women. They admired it, smiled, and allowed me to take the shot. Just a few feet from them sat a couple. The wife was knitting a colorful sweater, following a detailed pattern from a small chart, her hands moving with quiet skill.

At first, they didn’t speak, just watched as I photographed. But soon they became part of the adventure.

I explained what I was trying to do—how I had hoped to capture a Monarch in flight. I had already tried, and though I caught it in motion, the photo wasn’t as sharp as I wanted. If I had it my way, every image would have landed just right, with the colorful Dahwoody blooms in the foreground and the gradient spring-green behind—even though it was summer. The bokeh effect from the lens made that background feel like a soft memory of spring.

What I didn’t say then, but knew within myself, was this: I couldn’t include all those elements in a single image—not unless the very fabric she was knitting began to carry each color, each moment. Maybe one day I’ll try to do that. But for now, this—what I had in mind—would be enough.

While speaking with them, and after we’d talked about butterflies and photography, I turned my attention to her knitting again. I lifted my camera and focused on her hands—masterfully holding the knitting needles as the yarn moved between her fingers. The first image was fine, but I took another, shifting the angle just slightly. I wanted to focus more narrowly on the exact section of yarn being worked into the fabric—where her hands met the beginning of a beautiful pattern. That was when I quietly said:

“Wouldn’t it be something, if a butterfly flew just above this—over the needles, over the knitting in progress?”

Her husband’s eyes lit up.

It was a moment I will not forget. Moments before, he had shown interest when I mentioned my website. But this—the idea of a butterfly crossing between his wife’s hands, passing over the very sweater she was creating—this made his face shine. His joy wasn’t about the past. It was about something promised. Something he had not yet seen, but already loved.

Earlier, I had painted her fingernails with Monarch patterns—each nail carefully designed to echo the beauty of the butterfly’s wings. This wasn’t for fashion. It was for story. For harmony. And now, that intention had reached its fullest expression: butterfly, yarn, nail, light, and love—all meeting in one frame.

There was joy in that moment. But it wasn’t just the beauty that brought it—it was hope. The hope of something yet to come. All around us, butterflies still fluttered from flower to flower, and yet the joy came through something else: the words of a total stranger—me.

I turned gently to her and said, “Be careful. He loves you.”
She smiled and replied, “We’ve been married 34 years.”
Her eyes sparkled, but before even that, I saw the smile blooming on her lips.

For a moment, the world felt like a garden again. As if, by some grace, we had all let go—of pain, of shame, of memory, of guilt. Just long enough for something else to bloom.

I look forward to seeing their smile again, their joy. Even if our paths never cross again, I will remember them. And should they see the image—of the butterfly hovering above yarn, above love—they will remember me.

This image here… is the sister to the one I made for them.

Reflection: The Pattern We Cannot See

There are days when the world, without announcement, arranges itself—when color, motion, and human presence fall into place like yarn guided by steady hands. We are not always conscious of it when it happens. It feels ordinary at first: a butterfly, a bench, a pair of knitting needles, a painted nail. But somewhere beneath the surface, something eternal is threading its way through the moment.

You painted those nails not for decoration, but for echo—for rhythm. And perhaps that’s what art really is: the reverberation of what already exists in nature, brought close enough for someone to see themselves inside it. When the Monarch returned and you placed it over her hands, it was not a trick of photography, but a fulfillment of a vision. Her hands weren’t simply making a sweater. They were part of something larger—a tapestry already being woven, with or without yarn.

And what lit her husband’s eyes was not merely the thought of an image. It was the recognition of devotion—of years stitched into silence and togetherness. Sometimes it takes a stranger to reflect that truth back to us. Not because we forget, but because we stop saying it aloud.

In that moment, you gave more than a photograph. You gave a mirror to a marriage. You gave voice to a joy they hadn’t realized was still blooming. And in return, the world whispered back: you too are part of this beauty.

What if the Monarch’s path was not random? What if it too was seeking the warmth of thread, of laughter, of the one place in the garden where time had slowed down enough to remember what it meant to love simply?

This is not just the story of an afternoon. It is a living thread in the greater design. Some stories we tell with words. Others we tell by letting the world become a garden again—and showing others how to enter.

Reflection of a Memorial Weekend

North Shore of Lake Minnetonka, city of Wayzata. This weekend, for the first time, I stood in a place I’ve passed countless times—one that I will never grow tired of. It felt as if nothing could change that. And I hope it remains that way for decades to come.

There is something about returning to the same ground with new eyes. With each visit, something deeper awakens. I didn’t come to write a story—I came to walk, to remember, and to see. But somewhere along the path, the pain I hadn’t yet spoken of, and the miracle I hadn’t yet asked for, both took my hand. And that’s how this story began—quietly, like a breath returning to the body. At first, it might feel like memory, or even routine—but beneath it is something older, quieter, waiting to take root.

On an early morning walk, as the water became remarkably clear, I could see the green weeds below, and among them, fish—most blending into the green, swimming quietly by. But then my eye caught a glint of something foreign—a candy wrapper drifting like a false leaf in the current. I chose not to dwell on it. Not today. Some struggles are better left in the background, especially when the heart has chosen joy.

Still, I knew in that moment that I was not alone. What I felt, many others feel—again and again. The cause may differ, but the weight is the same. Whether it enters through grief, betrayal, or disappointment, it floats there like that wrapper: foreign, colorfully out of place, and without the means to grab or swallow—but somehow still capable of disturbing the stillness.

And so it is with pride, or the hunger for control, or the insistence to insert oneself into another’s life—not like a gentle garden guest, but like an idol demanding attention that was never deserved. That too is foreign. That too disturbs the water.

But truthfully, not all battles stay quiet.

There are days when the cold wind howls like a predator, daring you to fight on its terms, on its turf—knowing full well you stand no chance. That’s how grief moves through a soul. I’ve lost friends. I’ve lost family. One by one, they vanished—not just in flesh but in trust, in closeness, in presence. I’ve come to know the cruelty of a world driven by dominance and control. And yet I believe nature knows this pain too—life is lost every day out here, often without ceremony. But nature does not grow bitter; it turns loss into rhythm.

And I—though left with ashes—choose to stand, not with vengeance, but clothed in the full armor of God. By His grace, I face what I cannot undo.

Because what unfolded next lifted me beyond words.

The sky cracked open in hues of pink and gold, casting long strokes of amber across the lake. It was the kind of light that slows your breath. The kind that arrives only when spring begins to remember summer. The lake, like a perfect mirror, returned every color with grace.

This place draws me in again and again. The water, air, fire, and earth judge no one—they welcome all. The humble ground rolls beneath our feet; the water and wind sustain life in harmony. Nothing we do adds to their essence—or maybe it does, and I’ve yet to understand how.

Yesterday, a young boy couldn’t contain his excitement—he had seen a long, big fish. I wanted to see it too. From his description, it could only have been a Northern Pike. I’ve seen one before, in a different lake.

Earlier that day, I took photos of a faithful duck—always part of the scene, like the sparrows. Without them, this place would not be the same. Since the lakewalk was built, I’ve watched sparrows perch on the metal wire, pause, then fly to the roof rail, pick something up, and fly away. They’ve become part of the cleaning crew.

Today, as I passed an eagle’s nest, a thought came to me—about how they communicate compared to how we do. We use words, drawings, and digital art, trying to say what words alone cannot. But the eagle’s sentences are written in silence—in the arc of their flight, in the sharp cry we hear: a warning, a presence, a declaration—“Here I come.”

I’ve seen their majestic flight—how they rise and fall with the storm, surrendering to the wind, letting go, trusting it to carry them. Like a mysterious rollercoaster vanishing behind the island, only to reappear on the other side, adding magic to the scene.

The lake comes to life toward evening, in mid-spring, when the ice finally melts and water is once again free to flow. Heaven and earth meet in the glassy surface and become one in a display of living color. Every day is a new story—even the bitter cold ones, when your fingers go numb and your ears burn. Still, the lake writes its story into our minds, then rolls out a white carpet and welcomes us like royalty.

This Memorial Weekend, I spent most of my time—after work, or between deliveries—by the lake, camera in hand. Not just to shoot—but to see. To witness.

While there, I wrestled with old hurts—but I chose not to dwell. I turned instead to the light.

And I learned something: how the body turns sunlight and UV into Vitamin D. A marvelous, quiet miracle. That understanding planted a seed in me—one that began to grow. Like a slow and steady vine, it reminded me that this process—complex though it is—exists to help us see, feel, and experience life in its fullness. To learn it is to be humbled. And in that humility, to let go of the idea that we must have mastery over others, over things, or even over nations. It all comes back to something many have forgotten—hope. Hope that restores, renews, and points us gently back to the simple joys that were always waiting for us.

With those thoughts, behold—an eagle. No—two. Three. Each had spotted a large fish near the island. From where I stood, they looked a million miles away. I wished I had a bigger lens. But I was determined to capture the moment.

The story itself had already taken flight—first through thoughts, like wind carried on the wings of morning, rising quietly in the mind of the one who sees. But by some grace, what is seen by one may also be felt by another. That, too, is the miracle of living a conscious life: that we might share it.

Grace, hope, and love—these are invisible, until they become visible through the miracle of surrender. Like the sky and the earth growing radiant for a moment of union, there are moments in life when we, too, are drawn into something greater. In that surrender, we are no longer the center—but part of something whole. We feel, we sense, we witness the One who shaped us in His own image: the image of justice, mercy, grace, and love.

These images come from just a few minutes of unfolding action—stitched together into a canvas of color and motion. The struggle for life took seconds. The telling of it took hours.

I hope you feel what I saw.

Because in the end, all it takes is a small change of heart—
What is real is hope. A never-dying hope. A living hope that never dies.
And when that hope is real, it lands with the power of thunder,
And leaves the world gasping for air.

 

Your Neighbor,

Abdul Wahab Saifee

05-26-2025

Light Trough Lenses An Image

An image becomes a story the moment it touches the heart. We do not gaze upon our reflection to admire beauty or presence alone, but to remember the feeling it awakens — weaving past, present, and future into a single breath of life. The truest moments arise when we step beyond ourselves, into a space without pride or comparison, where every soul stands side by side, unmeasured. There, where all things meet — the visible light passing through the lens, the invisible thought, the silent song of the soul — a crossing is made. And sometimes, all it takes is a smile: not merely a gesture, but a vessel of countless memories, hopes, and unseen prayers gathered into one. It is there, at that sacred crossing, where light passes through lenses ~ an Image.

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